Cronache affettivo-somatiche

Free Home University (Alessandra Pomarico) and Maria Scaroni

22/05 — 23/05/2025

Workshop

Drawing from their experience with collective and para-institutional processes (Free Home University and Social Pleasure Center), Alessandra Pomarico and Maria Scaroni will share somatic, discursive, curatorial, and convivial practices aimed at unlearning the myth of normality and dominant knowledge-power systems, placing the radical practice of hospitality at the center.

Scaroni will lead "somatic journeys" to explore alternative anatomies, helping to decondition the body-as-machine and body-as-object, in support of a renewed perception of the body as an alien, sticky, and interdependent process. Through performative tasks - Influencer Dance, Fake Healing Therapy, Technodrift - she will guide participants in recovering physical memory (re-membering), resetting the nervous system, and reflecting on the alliance of bodies. Her approach, shaped by postmodern dance and queer clubbing, invites a politicization of sensation and pleasure, a reclaiming of the body’s vitality—malleable, diverse, multiple, polymorphous—and a lingering in witchcraft as a form of resistance.
Pomarico will present the tentacular and transversal nature of Free Home University, an artistic-pedagogical experiment that since 2014 has welcomed in Salento processes where education, art, life, theory, practice, and both social and ecological regeneration converge with conviviality and activism. These processes take shape in the cohabitation of physical and conceptual spaces, in research-actions grounded in the local territory, and in a commitment to unlearning destructive paradigms, nurturing poetic and political imaginaries, and defending life in all its forms.

The workshop is part of the public program Feral Design. Perspectives and Poetics of the Unruly by Noemi Biasetton.

Image: Copyright © 1963 by Maurice Sendak, copyright renewed 1991 by Maurice Sendak. Used by permission of HarperCollins Publishers.

PROGRAM

The workshop includes participation in two full days of activities, on May 22 and 23, from 11 am to 6.30 pm.

The workshop is free of charge and is designed from a multidisciplinary perspective, particularly addressing artists, designers, architects, theorists, writers, and curators. However, we welcome applications from individuals of any background.

HOW TO APPLY

To apply, please fill out this form by May 20.
For more information: [email protected]

Maria F. Scaroni, originally from Brescia, has been active in Berlin since 2004, both in the field of experimental contemporary dance as a dancer and choreographer, and in community building through workshops and by hosting events within queer culture. Since 2009, she has been collaborating with American choreographer Meg Stuart (Golden Lion for Lifetime Achievement, 2018), with whom she has developed a deep interest in polymorphic physicalities and altered states of consciousness, becoming increasingly engaged in exploring the socio-political consequences of collective behaviors. Maria hosts workshops that reuse the legacy of postmodern dance—such as energy techniques, contact improvisation, and improvisation games—intertwining them with anti-oppression practices to enhance somatic competence in support of a culture of connection. In 2016, she joined the Berlin-based collective Lecken, organizing erogenous raves with an engaged dance floor, engaging with the intersection between art and activism. Since 2021, she has been hosting the Social Pleasure Center, a community space dedicated to somatic post-activism, joyful queer feminist militancy, radical redistribution of resources, and temporary social choreography.

Alessandra Pomarico is an independent curator whose projects emerge at the intersection of art, pedagogy, social research, the poetics of relationships, community-building, and nano-politics. She holds a PhD in the Sociology of Migration (University of Salento), a degree in Theatre and Cinema History (La Sapienza, Rome), and a degree in Performing Arts/Arts Administration (Sorbonne, Paris). She is a registered journalist and has published essays and articles in various books, specialized journals, and exhibition catalogues. She is currently part of the editorial team of artseverywhere.ca, where she curates the section on Radical Pedagogy. She currently collaborates regularly with the Kunstuniversität Linz (Austria), a university of art, architecture, and design, where she teaches Practices and Politics of Art, and with the Frankfurt Hochschule, where she teaches Art as Social Practice. Recent initiatives include Free Home University (since 2013), an artistic and pedagogical experiment involving international and local artists for collective learning through art and social research, organized in several sessions per year in collaboration with local communities. Since 2014, she has also been working on Il Parco Comune dei Frutti Minori, a project for rural and social regeneration developed in collaboration with organic farmers, activists, artists, and migrants. Since 2012, she has been involved in Ammirato Culture House, a co-managed, multidisciplinary cultural and social space dedicated to research, experimentation, and the production of arts and culture. She is also part of SoundRes, since 2004, an international program of residencies, a festival, and a summer school focused on contemporary music and sound art.