16/12 — 18/12/2025
SHAKE WELL

16/12 — 18/12/2025, 02.00 PM — 07.00 PM
Video Installation
Julia Valle Noronha Linnea Bågander
16/12 — 18/12/2025, 02.00 PM — 07.00 PM
Screening
Screening 14.00-19.00
Julia Valle Noronha, Fashion beyond visual experience
Over the years, the visual dimension of fashion and clothing and how humans ‘imprint’ their culture onto garments has been largely emphasized. This project seeks to challenge this emphasis by exploring a less common lens: that of experience by asking ‘What remains relevant when the visuality of clothing becomes peripherical?’.
Julia Valle Noronha is a designer-researcher-educator that understands fashion as a major force in driving change towards more responsible futures. Her research interest explores this potential especially from the perspectives of fashion design and wearing practices. Julia approach the field from an outlook that praises diversity and holds being with the earth at its core.
Linnea Bågander, Designing Bodies of Movement
This presentation discusses experimental, practice-based and practice-led approaches to design research, where design examples are developed as ’figures of thought’ (Petersson, 2021) or ’epistemic objects’ (Rheinberger, 2016) that both embody knowledge in themselves and generate knowledge through interpretations of their meaning. The talk focuses on the state and importance of ’not knowing yet’ within a process of research, and on the vagueness through which a result gradually begins to unfold. The processes and examples presented derive from research and collaborations within the field of dance, wherein dress is explored as a performative element, working with movement, materials and bodies, and how they co-exist and create expressions and experiences together.
Dr. Linnea Bågander is a Senior Lecturer in Fashion Design and Artistic Research at the Swedish School of Textiles. Through collaborations within the field of dance, she explores dress as a performative element—examining how it interprets and expresses the body’s movements, how materials affect and inspire those movements, and how this interaction enables new bodily forms intertwined with materiality. Her work aims to define practical methods, develop teaching modules, and expand practice-based artistic research within the fields of fashion and dance costume. Both her stage-based works and artistic projects have been performed and exhibited internationally, including in Copenhagen, Berlin, Budapest, Tel Aviv, and Hong Kong.